November 16, 2015

fuseboxx - Ulanarao (Live in Baguio, Feb 2014)

I want to share this footage of my gig with Filipino progressive rock band fuseboxx last February 2014 in Baguio City, Philippines.  Ulanarao is one of the songs from fuseboxx's first album.  The song is pretty much a heavy prog-rock tune with straight-ahead 4/4 grooves, tribal tom patterns, double bass drum parts, and some odd-time twists (7).

My drum set-up on this gig: 5x13" Tama Artwood Maple snare drum, Tama Superstar drums, Tama Speed Cobra double bass pedal, Zildjian cymbals.  I wish I had more toms and cymbals. =D

Fuseboxx (2014):
Abby Clutario - vocals, keys, Chapman stick
Eric Tubon - keys
Mico Ong - guitar
Anthony Dio - drums

Follow fuseboxx on Facebook, YouTube, Spotify, and Instagram.

November 6, 2015

Zendee - Under The Stars: YouTube Sensations

Sharing this video of my session with Filipino YouTube sensation Zendee.  This was a memorable session because this was my first time to perform in Singapore.  And it's always a pleasure to play drums for world-class singers such as Zendee.

Under The Stars: YouTube Sensations concert.  The Coliseum of Resorts World Sentosa, Singapore; June 28, 2013.

Zendee's Band:
Criss Buenviaje - guitar
Nino Salazar - keys
Benjie Diray - bass
Anthony Dio - drums

June 26, 2012

Mike Alba's Muscle Memory Workout Program (Module 2)

MADP Module 2, Batch 3: From left-right: Weng Saavedra, Lawrence Alba, Master Michael Alba, Ed Catalan, and Anthony Dio
Michael Alba's Muscle Memory Workout Program Module 1, which I took up and finished late 2010, has been significant to my drumming and musicianship, as Filipino drumming master Mike Alba have shown me and my peers the right path to a much better drumming performance (as documented on my Module 1 testimony, posted a year and a half ago).  Like I said, this was among the best investments I've ever made for my drumming.  Everything I learned here, I will be carrying with me all throughout my drumming life and my professional career as a working musician.

A couple of months ago, I just finished the Module 2 Program, which took every drumming and musical aspect notches higher and further challenged our drumming, in terms of technique, performance & creativity.  The way I see it, Module 2 is a super-sized version of Module 1, which pushed me and my peers to our limits.  In no particular order...

Module 2 pushed me to become a more well-rounded and versatile drummer.  Various musical styles were covered, from hard rock to smooth-swinging jazz, from pop to contemporary fusion, from funk to improvisational, odd-metered, and world music-inspired pieces...  There's always something to be learned from every genre, and all these greatly helped us in understanding and appreciating different styles.  Versatility is an important factor in becoming an effective musician especially in a session/mainstream setting.  So learning various styles do pay off.  Plus Sir Mike's selection of tasteful yet challenging play-along pieces are worth reviewing.

Module 2 simulates real-life career situations, and it pushed me to manage my time and practice habits.  Every Module 2 homework consists of at least 3 challenging play-along tracks and a couple of creativity exercises which challenged us to create our own original parts.  So it was also an exercise on time management, as we juggled our woodshedding hours with our nightly gigs, day jobs, school, quality time with loved ones, and whatever routine or schedule we're going through our everyday lives.  And with how Sir Mike gave out our assignments, he's like a musical director handing out the pieces we needed to play, and we only had a few days to nail down everything!  So it was like a real-life session scene, where we're expected to be on top of our game, learn new materials fast and effectively, and be able to come out with drum parts which will work for the music.

Module 2 pushed me to work harder on my sight reading.  For me, the Module 2 Applied Sight Reading (ASR) Exercises are like Module 1 ASR Exercises, but on steroids!  With its various mixes of notes, rests, and figures (in particular, plenty of triplets, sixteenths and thirty-second notes, and don't forget the infamous fermata), these are guaranteed to be incredibly challenging, even for drummers who are already used to sight reading.  But once mastered, or at least be able to go through it, it will greatly help with our sight reading skills, plus our speed, endurance, articulation, and dynamics.  Well, I'm still not the fastest sight reader, but thanks to the Module 2 ASR exercises (plus the more challenging play-along charts), my reading skills improved.

Module 2 pushed me to review my drumming techniques.  From the way I hit a snare drum backbeat to the style of footwork I use for my bass drum technique, Sir Mike showed us the right way to proper technique in order for us to play better and execute our parts more convincingly.  Like I said about Module 1, Sir Mike's still the Quality Control guy in Module 2.  Besides showing us and reminding us about the proper hand and foot techniques, he still made sure that our execution is a musical statement.  The dynamics, the proper volume, the effective way to hit every drum and cymbal...  Sir Mike wants us not only to play better, but also to sound better.

Module 2 pushed me to further respect and appreciate the drumming gods.  It's not that I do not revere the likes of Jeff Porcaro, Steve Gadd, Dave Weckl, John Robinson, David Garibaldi, Will Kennedy, Vinnie Colaiuta, and all these amazing drummers (I love and worship them all!).  In Module 2, we learned how to play their classic drum parts correctly and with conviction.  So our respect, admiration, and fascination for these legends grew deeper.

Module 2 pushed me to become more creative.  With the thousands of amazing drum licks and chops already invented and played over the years, are we still capable of creating a new, original drum part?  The answer is YES, and Sir Mike's system made our creative juices flow, as we orchestrated our original fill-ins during the Module 2 sessions.  Plus, whether we love soloing or not (I don't consider myself a good drum soloist, and I often dread playing drum solos), there were several activities in Module 2 which challenged us to perform effective drum solos, which should still be a musical statement instead of just scattered pieces of notes, chops, and licks.

I can go on and talk more about Module 2.  But of course, I don't want to give away too much information (for the sake of future Module 2 students).  The bottom line is, Module 2 is big boy stuff. It will push you hard.  It will challenge you.  It will inspire you.  And it can even frustrate you (in a constructive way).  But at the end of the day, as long as you persevere, remain patient, and work hard on practicing and honing your craft, going through Module 2 is a very rewarding experience.

Thank you very much Michael Alba for being a wonderful and inspiring mentor.  You did it again, Sir Mike!  You are a blessing to me and my peers.  Thank you for your passion, generosity and positive spirit.  To my Module 2 Batch 3 classmates - Lawrence Nolan, Weng Saavedra, and Ed Catalan: It was an amazing Module 2 adventure with you guys.  Thanks for the friendship and support!  To Doc Jigs Asinas, Module 2 Batch 3 misses you!  To Kent Pedraja of KNR Studio in Cubao, Quezon City, thank you very much for the excellent venue for our graduation day and drumshed session!  To fellow Mike Alba Drum Program graduates Ruben Tecson, Christian Enriquez, Nigel Norris, and Otep Conception, thank you very much for all the help, brotherhood, enthusiasm and laughter during our Module 2 Graduation Day!

Best wishes to all our drumming and musical endeavors!  God bless Mike Alba Drum Program!

Photos courtesy of Ruben Tecson (copyright; posted with permission).

September 23, 2011

Another Broken Pedal... A Gibraltar This Time

Early this month, another bass drum pedal broke while I was using it.  This time, it's a Gibraltar Intruder double chain bass drum pedal.

It happened during the middle of our last song of the night at my band's bar gig.  The Gibraltar's baseplate just gave in.  And it's shocking to me because first of all, I can't believe that another pedal gave in while I was playing it (and I'm not even an abusive drummer who finds pleasure in breaking stuff).  And second, it's a Gibraltar, and it's NOT supposed to happen to a reputable hardware brand/product like it.

The baseplate simply broke into two.  And upon inspection, my drummer friend Joel David and I noticed that the baseplate isn't thick or strong enough to support repetitive heavy playing.

It's quite disappointing, considering that it's among the higher-end Gibraltar models.  First, it was the DW 5000s (as documented on these blogs - Part 1 & Part 2).  Now I'm gonna add Gibraltar to my pedal blacklist.  I'm really going back to those strong, reliable, good old Tama pedals...

A part of the broken baseplate's still screwed underneath the heel board. The non-slip rubber mat is still attached to the larger half of the broken baseplate.

Gibraltar Intruder: blacklisted.
Photos courtesy of Joel David.

May 5, 2011

Mike Mangini: New Drummer of Dream Theater

Finally, Dream Theater introduced their new drummer a few days ago, replacing the mighty Mike Portnoy.  Way to go, Mike Mangini!  The three-part The Spirit Carries On video series which documented Dream Theater's search for a new drummer, highlighted by the audition of seven world-class technical drummers.

Thanks to this video series, which was recently uploaded by RoadRunner Records on YouTube, I gained respect and appreciation of Mike Mangini's talent, abilities, and attitude.  At first, I was thinking of Marco Minnemann, who I think would have been also a great fit for Dream Theater.  But I thought that Mike Mangini would do a wonderful job in carrying the torch.

* Check out Mike Mangini's interview (04 May 2011) on Modern Drummer Online.

* You can backread My Sentiments on Mike Portnoy (and his Dream Theater departure), written on September 14, 2010.

February 17, 2011

My First Attempt in Cooking: Basil Pesto

Belated Happy Valentine's, everyone!

I'd like to share a few photos of my first-ever attempt in cooking.  This is quite a big deal for me because I've never tried cooking special dishes.  Eating and frying are just two of my most natural skills when it comes to food.  Until finally, I thought that it's never too late to learn (of course), and it's about time that I try doing something new and worthwhile.  Here are a few photos of my first-ever pasta dish: Basil Pesto.

My ingredients.
Good thing we have this electric chopper handy. Every kitchen should have one.
First-ever basil pesto creation... Not bad!
I used whole wheat noodles, which makes it quite a more healthful treat.
Okay, let's eat! =)

Yeah I know this is a piece of cake for some of you folks out there who cook a lot.  My noodles may not be perfectly cooked, but I'm quite proud of what I just made.  It's delicious, and my Mom and Dad even enjoyed it!  Now I know why cooking can be such a rewarding thing to do.  Not bad for a novice in the kitchen!

Special thanks to A for the special recipe*. =)

* It's a secret recipe.  Sorry I can't post it here. =D

January 6, 2011

UKZ - Radiation

Happy New Year, folks!

To kickstart my blog this 2011, I'm sharing this music video of an awesome progressive rock piece by virtuoso supergroup UKZ, featuring German superdrummer & ambidextrous technical wizard Marco Minnemann.

UKZ is a virtuoso supergroup formed by former 'UK' keyboard/electric violin legend Eddie Jobson with ex-King Crimson stick player Trey Gunn; Austrian guitar prodigy Alex Machacek; former Expanding Man vocalist Aaron Lippert; and German drumming phenom Marco Minnemann.

The video features some great overhead shots of Marco, showing some of the challenging things that he can effortlessly do on the drumkit.  Plus, I'm digging his Ghost In The Machine (The Police) t-shirt.

I'm also opening the year with the most curious inquiry...  How true is it that Marco Minnemann is the new drummer of Dream Theater?  Honestly, I think that'll be a very exciting team-up, musically.

*Special thanks to my friend, Fuseboxx guitarist Michael Ong, who shared this video on Facebook months ago.